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Imagine...

Jun. 13th, 2018 | 06:08 pm

I'm not sure if Mighty Good Road is the oldest book in this summer's LGBT+ Storybundle, but it's close: it was published in 1990, the last book I published with Baen. (Don't get me wrong, Baen didn't drop me because of queer content — or anything else, for that matter. I'd had a good run with Baen, but they weren't willing to match Tor's offer on Dreamships, and Betsy Mitchell, who had been my editor, had moved on - the usual publishing round.) Some things have held up pretty well — I think "interstellar trains" remains cool regardless — and other bits of the technology haven't, but one thing, I think, remains unusual. It's a novel with a queer protagonist in which queerness is in no way the focus of the story.

Gwynne Heikki is a lesbian, in a long-term, stable, happy relationship with her business partner, Marshallin Santerese. She's also half-owner (with her lover) of a salvage company, and as far as the story goes, that matters far more than her sexuality. That's not to say that her sexuality is erased; far from it! Everyone knows that she's half of a female couple, but their reactions to that depend on their feelings about her and Santerese as individuals, not on their feelings about queer people. Heikki is respected, and at times disrespected, for the complex person that she is.

And that, I think, is something that's still uncommon even in SF/F: a queer protagonist for whom queerness is part of a whole, another version of normal — where queerness is highly present, and a queer person is the point of view character, but queerness is not a contested social issue. Of course, SF/F is one of the best media for trying to imagine that, offering writers the freedom of every imaginable future and universe, but it's not been as common a choice as I had always expected.

When I wrote Mighty Good Road, this seemed like a radical act of imagination: what would the world look like if there were no social conflict over being any flavor of queer? What would a queer woman look like if she had never been oppressed, either as a woman or a lesbian? There is, of course, always a place in literature to confront oppression, to show its effects and mourn out losses, but it is also valuable, I think, to imagine oppression’s absence, its utter defeat. I still believe we need to consider the question: what might the world look like — what might we look like — when we win?

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June LGBT+ Storybundle

Jun. 5th, 2018 | 05:38 pm

It's that time of year again! It's Pride Month, and once again the folks at Storybundle have let me put together an eclectic selection of LGBT+ science fiction in celebration. There's a little bit of everything, from steampunk to space opera, superheroes to aliens, near future to far future to worlds that never quite were, not to mention depictions of sexuality that range from discreet to smoking, but they all share a strong queer voice, and none of them contain queer characters who end miserably simply because they're queer. (Not to say that there's not a place for that kind of tragedy, but a celebratory bundle isn't it.)

It's the usual Storybundle deal: pay whatever you'd like over the minimum, and get the bundle books; pay over the bonus amount, and you'll get 7 more novels. And, like last year, you'll have the option of donating to our charity of choice, Rainbow Railroad. They specialize in helping queer folk escape government or government-sanctioned persecution, and have been very involved in helping gay men get out of Chechnya. It's a group that can make good and immediate use of any funds we can raise.

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2018 Update

Jan. 24th, 2018 | 12:17 pm

It’s still January, so I’ll try for a quick new year’s update before that becomes completely ridiculous. First, Point of Sighs is now through production and is scheduled for release in May! I’m very pleased with how it’s turned out, and can’t wait to share it with everyone. I’ll be at Balticon 51 over Memorial Day weekend, and the plan is to hold a launch party there, so if you’re going to be attending, please look for it! We’ll have tea and little cakes, in proper Astreianter style.

In Stargate news, I’ve finished Pride of the Genii, and it’s currently in the queue at MGM. No word yet on a publication date, but I’m hoping for the fall.

Finders has been through a first round of edits, and I’m still cautiously pleased with it. There’s always a point at which you fumble through one more change and panic, sure that you’ve made everything worse and nobody will ever want to read anything of yours ever again, and I’ve hit that but I’ve learned that the best thing to do at that point is to give it to the editor and let them deal with it. Ninety-nine times out of a hundred, it’s much better than I thought it was—and, indeed, my latest reread made me feel a lot better. It’s the first book in what I hope will be a trilogy, and is intended for publication at the end of the year.

Both my Patreons are going strong. If you’re a Points fan, you can get two 500+ word sketches a month at my Astreiant Patreon — it’s a bit of everything, snippets from work in progress, character sketches, the occasional exploration of secondary characters, and I’m certainly having fun exploring the world in more depth. And The Rule of Five, the space opera co-written with Don Sakers, continues apace! We’re coming up on Major Revelations and the conclusion of the first major plot arc, and having enormous fun in the process.

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Finders!

Oct. 5th, 2017 | 06:18 pm

I’m tremendously excited to announce that I’ve sold a novel, Finders, to Athena Andreadis at Candlemark & Gleam. It’s expanded from the short story of the same name, which first appeared in Andreadis’s The Other Half of the Sky (and subsequently in Year’s Best Science Fiction X) and from a second story, “Firstborn, Lastborn,” which appeared in Andreadis’s To Shape the Dark (and in Year’s Best Science Fiction 34), and it’s been a joy to get back to far future, high science SF.Read more...Collapse )

Coming from Candlemark & Gleam at the end of 2018/beginning of 2019.

(I am in the process of moving my blogging to a dedicated website, melissa-scott.com. I'll continue cross-posting here for at least another 6 months, but it seems as though there's very little traffic in the communities any more. Please do check me out at the new location!)

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Law & Justice

Jun. 21st, 2017 | 06:47 pm

I love books that have as a central conflict the disjunction of law and justice. Unsurprisingly, you'll find that as a theme in many of my novels, along with the question "who gets to count as people?" and that's certainly true of my contributions to the Pride Storybundle. Of course, both Point of Hopes and Death By Silver are fantasies structured as mysteries, which automatically foregrounds the question — most mysteries use the tension between law and justice to raise the stakes of their plots.

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Victoriana, or, why I like queer Victorian fiction

Jun. 9th, 2017 | 03:43 pm

There is a lot of queer SF/F set in what is at least nominally the Victorian/Edwardian period (three very different novels in the current LGBT Storybundle alone), and of course that raises the question of what makes this period so appealing. For me, at least, the period from the mid-19th century through the start of the First World War is attractive because it’s both familiar and deeply alien, and the ways in which it is different from the modern world offer some excellent opportunities for comment on our contemporary lives.

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New Storybundle for Pride!

Jun. 6th, 2017 | 08:21 pm

Yep, it's an LGBT+ Storybundle - 5 books in the basic bundle, yours for $5, or if you throw in another $10, you'll get 7 more titles, for an eclectic grouping of some of the best queer writing out there today.

When Steve Berman of Lethe Press asked me to co-edit Lethe’s year’s best lesbian SF/F anthology, Heiresses of Russ, for 2014, I was (of course) honored to be asked. I read a lot of stories, discovered some new writers, was reminded of some old favorites, but, most of all, I was blown away by the number and quality of the stories that were submitted. It reminded me yet again how much the SF/F world has changed — when my first novel was published, back in 1984, I was told that queer characters and themes were highly unlikely to sell, and if they did, at best they would get you branded as just and only a queer writer, trapped forever in a ghetto within a ghetto. Over the last thirty years, that has all changed dramatically. LGBT+ characters are definitely part of the field, and if they’re aren’t as many of them out there as there were in the late 1980s/early 1990s, we’ve never returned to the assumption that writing queer is the death of one’s career. In fact, the number of writers for whom intelligent, nuanced, sensitive — and queer — writing about queer things is simply a normal part of their range has grown so large so quickly that it’s all but impossible to keep up. And that, of course, meant that winnowing the field to a dozen books for an LGBT Storybundle was going to be equally difficult.

I’ve made a couple of arbitrary choices to start with. First, no novels in which being queer means you’re evil (that should go without saying), nor are there any in which it’s a doomed and tragic fate. There are places for the latter, but in this group I want to celebrate queerness. I also decided to focus on small press offerings, on the theory that it’s easier to overlook them than books from the mainstream houses — and none of this really narrowed the field very much. In the end, I went with books that showed me new facets of the LGBT+ experience, books that expanded my vision of both queer and of SF/F. It’s a highly eclectic group, a mix of new and established writers, novels and short story collections; it includes historical fantasy, contemporary werewolves, superhero adventures, Victorian magic, a YA ghost story, secondary world fantasies, and a noir-inflected war between Heaven and Hell, but all of them are by authors who are at the top of their game. There are six Spectrum and Lambda Literary Award finalists and winners in the group, and Riley Parra has been turned into a web series by Tello Films, to debut in August. You’ll also find a diverse group of characters, worlds where the rules of sex and gender are profoundly different form our own, and stories that will hold you entranced to the very end.

I don’t claim that this is the (or even “a”) definitive LGBT+ collection. The field is far too large for anyone to claim that. What I can promise is that these books celebrate queerness — gay, lesbian, bi, trans, and just plain queer — and show off some of the best writers working today.

On a more serious note… Storybundle has always allowed its patrons to donate part of their payment to a related charity, and the appalling situation in Chechnya seemed to be one where donations could make a real and immediate difference. If you choose, you can donate part of the bundle’s price to the Rainbow Railroad, a group helping LGBT people escape persecution and violence worldwide. At the moment, they are concentrating on helping the victims of the attacks on gay men in Chechnya; your donation will be a potentially life-saving gift.

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Chicago's Last Stargate Con

Oct. 14th, 2016 | 02:48 pm

This post is terribly overdue, thanks to a bout of con crud that had a colleague sticking her head into my office as I hacked and coughed to say with great sympathy, “Hairball?” But enough cool things happened that it seemed that ‘better late than never’ definitely applied.

Susannah Sinard and I were at the Fandemonium table for the weekend, signing books and talking to fans — and if you haven’t picked up her SG-1 novel, The Hall of the Two Truths, I highly recommend it. The wonderful dealers at Wrinkle in Time brought a ton of books for sale, so we were kept busy — though Susannah and I both managed to sneak off to hear a few talks.

And then there was… this.




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The Rule of Five!

Sep. 12th, 2016 | 12:46 pm

It’s time to reveal the Secret Project I’ve been working on for the last year or so!

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A Further Thought on Last Calls

Aug. 10th, 2016 | 07:21 am

When I lived in New Hampshire, there was a restaurant up the coast in Ogunquit called the Hurricane. It was open only in the summer, on the waterfront, in the little harbor area, with a section that might once have been a deck jutting out over the tide line, but had long ago been enclosed. The food was marvelous — local, simple, impeccably prepared — and their dessert menu was limited but choice. However, I preferred to end my meal with their take on Irish coffee: the Last Call. It was coffee with shots of B&B, Grand Marnier, and Kahlua, topped, of course, with whipped cream, and if that wasn’t enough, the Hurricane’s bartender made amazingly good coffee and whipped the cream himself. I don’t particularly like whipped cream, but I’d actually say yes when he asked, “a little extra?” Sipping that at the end of a superb meal, with the tide coming in and the moon rising over the Atlantic… I’ve still never had a better coffee drink.

I’d like to think, as we hit our own last call for the Historical Fantasy Storybundle, that we have a few things in common with the Hurricane’s Last Call, at least metaphorically. Not only do we have a fine mix of periods and stories — the liqueurs — but we have good solid writing — the fine coffee — and expert scholarship worn lightly to top it off as neatly as whipped cream.

And the basic bundle still costs less than the drink.

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